Play Along Piano

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Handel

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		11	0	2	6	92%
Flute		13	0	1	6	67%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I		11	0	2	6	92%
Flute		13	0	1	6	67%
		13	0	2	8	67%
Alto		11	0	1	6	58%
Organ as by Handel		14	0	1	6	58%
Soprano II		12	0	3	6	58%
French Horn I		9	0	1	6	50%
French Horn II		9	0	1	6	50%
Oboe		13	16	2	6	35%
Bass		9	0	1	6	33%
Cello Continuo		9	0	1	6	33%
Cortrebass Continuo		9	0	1	6	33%
Organ Continuo		16	18	3	5	33%
Organo Continuo		10	1	1	6	33%
Tenor		8	0	2	6	33%
Viola		9	0	1	4	33%
Violin I		9	0	1	5	33%
Violin II		10	0	2	8	33%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	35	3	4	100%
		21	68	4	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	35	3	4	100%
		21	68	4	4	100%
Violoncello Continuo		20	0	3	4	99%
Vln 1		24	0	6	3	81%
Vln 2		23	0	6	3	81%
Kontrebaß		22	0	4	3	78%
Berengario		18	0	5	7	69%
Violas		16	0	4	3	46%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
Violoncello		24	0	5	6	97%
Contrabass		24	0	5	5	88%
Dorinda		17	0	6	6	75%
Violins 1		22	0	7	7	56%
Contrabasses		17	0	4	3	47%
Violoncellos		17	0	4	3	47%
Bassoon		10	0	2	3	13%
Oboe		14	0	2	5	13%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		15	0	4	5	100%
Almira		14	0	3	6	52%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		15	0	4	5	100%
Almira		14	0	3	6	52%
Fernando		14	0	4	6	46%
Harp		19	25	6	4	42%
		13	11	3	4	42%
Harpsi		16	17	4	3	33%
		17	15	5	3	33%
Lute		17	17	6	2	25%
		21	15	7	2	29%
Osman		11	0	1	3	17%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
Viole		18	0	4	8	83%
Contrabassi Continuo		25	0	10	10	81%
Violoncelli Continuo		25	0	10	10	81%
Bassoon Continuo		26	0	10	10	45%
Oboe 1		22	0	8	9	45%
Organo		16	39	5	9	40%
		20	1	5	9	41%
Cembalo Continuo		17	42	5	6	30%
		20	4	3	6	30%
Oboe 2		18	0	5	7	26%

HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)

edward.maurath

4:43	Est. Play Time
51	Measures
	1,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)		23	0	8	4	99%
Contrabassi (Continuo)		22	0	7	4	97%
Violoncelli (Continuo)		21	0	7	4	97%
Cemballo (Continuo)		26	37	9	5	90%
		33	23	12	6	96%
Violins I		22	0	6	4	95%
Violins II		21	0	5	4	91%
Tenor as Goffredo		14	0	5	6	60%
Bassoon (Cembalo)		18	0	4	4	47%
Oboe		18	0	5	4	47%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo		24	71	5	8	85%
		25	50	6	8	97%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo		24	71	5	8	85%
		25	50	6	8	97%
Violoncello (Continuo)		18	0	4	7	53%
Violin		18	0	4	7	45%
		17	0	4	7	45%
Contrabassi (Continuo)		18	0	4	6	44%
Violoncelli (Continuo)		18	0	4	6	44%
Armida (Soprano)		14	0	3	8	43%
Viola		14	0	4	4	43%
Oboe		12	0	0	7	30%
		13	0	2	7	30%
Bassoon (Continuo)		14	0	0	6	27%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		22	0	5	5	82%
Vln 1		24	0	7	6	73%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		22	0	5	5	82%
Vln 1		24	0	7	6	73%
Violas		17	0	5	6	72%
Vln 2		23	0	6	6	72%
Harpsi		17	15	3	7	71%
		20	16	3	4	61%
Israelite Woman		16	0	4	9	70%
Celli		20	0	4	5	59%
Kontrebaß		20	0	4	5	59%
Trumpet		10	0	1	8	51%
Organ with out pedals (Continuo)		16	12	5	5	22%
		15	8	3	3	22%

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